To assert one’s identity is to re-assert and codify identity politics. Why was one selected for this position? What qualifications garnered the individual with the opportunity? In moments of competition literally person versus people- the factors that are used to make a decision are more important than the decision itself. Yes, the ways you decide are far more important than what you decide.
To provide one with an opportunity on the basis of identity is to disregard or discount skills unrelated to identity. A great artist is judged not by background, heritage or culture; instead, it is the work itself that persists through the ages. Art outlasts the artist. Contemporary culture has moments where background, heritage, or culture trump artistic skill. In these situations the artist’s work is not the major focus; instead, we ask where did she come from? Who or what does she love? Or, worse yet, how can her selection say something about who we are?
All decisions are expressions of the deciders. President George H.W. Bush is often quoted as saying he “is the decider” when challenged that his vice president Dick Cheney was actually in charge. We treasure our authority and use it explain who we are. In selecting someone we express a preference for perspective. Selections are symbols and in decisions where people are involved (i.e., artistic nomination) symbolic stand-ins for our beliefs.
Nominations of artists are particularly interesting on a meta level. Artists often work with symbols and manipulate meaning. One who nominates an artist for a position is manipulating symbolic manipulators to manipulate a symbol.