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Asterisk Provisions
Are there certain behaviors best suited for a trained individual? To drive a motor vehicle we require an individual to demonstrate understanding and capability in multiple forms. One does not simply apply for a driver’s license and turn the key. Likewise we only allow certain people to perform certain tasks. A teacher must have a license and a police officer must demonstrate the needed skills.
Often these skills are documented by documents. A driver’s license is a government’s physical endorsement of one’s skills. In a sense the driver’s license communicates a single fact: “This person passed our test.” One’s skills will vary by the minute and police officers regularly launch interventions a la tickets and warnings to correct bad behavior.
And yet while many of our most important jobs in society require proof of capability one of our most critical does not. To vote is to participate in a democracy and in voting one is selecting another individual to represent one’s beliefs. A vote communicates a simple statement of “This person speaks for me.”
What type of documentation or proof of skills do we require to vote? None. The application to vote demands only that one is a citizen. Is this correct? Do the demands of picking a candidate and formulating a perspective on a topic demand a sort of test? Might literacy be a requirement to vote? After all, if one cannot read the ballot how can one possibly formulate a decision?
The Supreme Court has decided to alter how we register individuals to vote. States now possess the ability to make the process of voting not an automatic one. Many see any additional requirements to voter registration as movements to complicate the registration process for citizens. Of course any additional steps complicate a process and many individuals will likely fail to participate in their democracy because of these challenges.
While new steps have yet to be established, we can expect that many states will work rapidly to make them. This is unfortunate but highly likely in any system of popular representation. And while we may find both today’s decision and any as-yet-undeveloped requirements both sad and unfortunate, we remain bound to our duty as citizens. No matter where things fall and no matter how hard the process is, it is the individual’s duty to participate. To fail to vote is to fail as a citizen. No matter where the challenge stands and no matter how hard the process may be, as a responsible citizen one must learn each complication and battle back to counteract the challenge.
Of A Clout
An oft-quoted but poorly associated phrase urges us to “measure society by how it treats its weakest members.” And yet how to consider this term “weakest”? Do we speak of the mentally weak? The physically weak or those unable to conceptualize a concept of “weakness”? Perhaps in our own inability to define “weakness” we expose the very weakness we detest. Too often we frame existence in binary terms: good v. bad, happy v. sad, normal v. abnormal.
Ironically this need to frame things in clearly polar terms exposes our weakness of understanding. Too limited to understand the relativity of situations we narrow thinking to categorization. Groupings aid understanding by providing justifications of discrimination. Item A belongs in Box A. Item B remains a part of B because of feature X, Y, and Z. Making sense out of nonsense is a necessity of existence and yet what of the dangers of such actions? How might such simplification sacrifice progress or worse yet damage progress made?
In working to establish categories for life we extoll a certain clout. We are rulers of domain, framers of our world view and some abstract form of carpenter from which we nail firm a hobby-horse of life. We call this work “perspective”, the uber-personal sense of what is and what will be. Despite our limitations we make a world from what we sense. Didion wrote of stories as necessities from which we frame our existence. “We make sense” from these behaviors and though feel powerful suggest less a greater strength and more an enthusiastic embrace of ignorant indifference.
Unintended Damage: Reactions and Response
Mass violence creates dual layers of destruction. An immediate layer of destruction comes as the moment occurs: a mass shooting causes injuries and death at the scene of the act. This is the most powerful moment of drama, the moment when an actor’s plans are carried out. In a sense, this initial moment is when victims are created: plans become reality.
The initial moment is fast, but its reaction is the secondary layer of destruction and creates more long-term changes that will affect those beyond the initial scene of the crime. In our reaction we aim with the best intentions of prevention: we sense a vulnerability and do what we can to protect ourselves from a similar act. These reactions are crucial to protect ourselves but come with an adjustment to our society and often requires an elimination of personal freedom. If acts of violence depend on areas of vulnerability we must eliminate these vulnerabilities to be safe. Complete safety requires complete control…but is this what we want?
A weak, but accurate image is to imagine society as a cardboard box. As the animal in this sanctuary the vulnerabilities we need to breathe and see only serve us if they keep us safe. A delicate balance must be found. History helps us calibrate our society but emotion makes us prone to rapid change and we may find panic inspiring us to cover more holes and hide ourselves away. Moving to a system of protection may feel better but we risk losing the culture of ideas we need to stay alive. A healthy society can only exist if dangerous ideas and people can exist. Yes, it is a hazard and yes we will be hurt over and over, but our freedom is too important to trade away for notions of better safety. One wonders whether these moves to better safety are even affective: will not dangerous people find ways to hurt others if the inspired? How much can we do to protect ourselves from human enthusiasm.
Ears Beyond: Detecting Assumed Audience
A curator is one who collects and distributes content to others. A more prominent role in our age of countless sources, these figures function as “content filters” from whom we seek the information we know holds value. The curator’s function (and existence) is dependent on trust: give us something we don’t want and risk losing our attention. Based on this relationship the curator must walk a fine line: present quality content and do so in a way that caters to the assumed audience. Who are these people, though; and how does a curator know who reads their presentations? Both crucial questionsmustbe answered by a curator and we can detect such conclusions on the basis of presentation.
How does a curator present certain stories? How is text styling used to convey tone? Consider Matt Drudge’s use of italics. After an initial headline, Drudge lists additional stories in italics and presents critical snippets of material in the article. We read these italic stories as add-ons, as entries not worthy of the headline role but which feature interesting info. In essence these stories have a “But, Wait, There’s More!” goal. Herein we can gather a sense of how Drudge perceives the use of his site. Not merely factual in presentation, the content presentation includes an entertainment dimension that shows Drudge’s perceived role. Drudge wants to entertain and seems gleeful in with his collection of stories. Drudge uses his “Drudge Report” as a collective statement on existence. Visit the Drudge Report and Matt Drudge has collected life as he sees it and, via styling, his sense of what it all means.
The use of apostrophes categories a term as unfamiliar. Using apostrophes triggers the reader to consider these terms as different and react to them with distance. Apostrophes can create distance and distinguish certain terms as belonging to the outsider. Strange terms from different races, younger generations or foreign culture can be placed in apostrophes to label them as strange. Drudge uses apostrophes to castigate terms for these goals and on the basis of this use we see additional details of perceived audience. Drudge sees his audience as older, conservatives and uses his apostrophes to distinguish material from outsiders for its differences. Casting these terms in this way caters to his assumed audience by presenting himself as “insider”, as an individual whose status involves an awareness of common language and the ability to use it.
Curation is power.